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Vietnam War, 1961-1975 --- Motion pictures --- #SBIB:309H525 --- #SBIB:309H1320 --- Vietnamese Conflict, 1961-1975, in motion pictures --- Motion pictures and the war. --- History --- Sociologie van de audiovisuele boodschap --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Vietnam War (1961-1975) --- California --- Los Angeles --- Hollywood --- Cinema films --- Special subjects: Vietnamese wars --- Motion pictures and the war --- Motion pictures and the conflict --- United States --- History and criticism --- 20th century
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Vietnam War, 1961-1975 --- War films --- Guerre du Viêt-nam, 1961-1975 --- Films de guerre --- Motion pictures and the conflict --- History and criticism --- Cinéma et guerre --- Histoire et critique --- 791.43 --- #SBIB:309H1326 --- #SBIB:309H1328 --- Filmkunst. Films. Cinema --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films met een ideologische en spiegelfunctie --- 791.43 Filmkunst. Films. Cinema --- Guerre du Viêt-nam, 1961-1975 --- Cinéma et guerre --- Vietnamese Conflict, 1961-1975, in motion pictures --- Motion pictures and the war --- CONFLIT VIETNAMIEN, 1961-1975 --- FILMS DE GUERRE --- AU CINEMA --- ETATS-UNIS --- HISTOIRE ET CRITIQUE
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What Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period. Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known--Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson. As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives--from the deeply personal to the broadly cultural--for telling war stories.
American literature --- Vietnam War, 1961-1975 --- Literature and society --- War stories, American --- War poetry, American --- American Literature --- English --- Languages & Literatures --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Vietnamese Conflict, 1961-1975, in motion pictures --- Vietnam Conflict, 1961-1975 --- Vietnamese Conflict, 1961-1975 --- Vietnamese War, 1961-1975 --- English literature --- Agrarians (Group of writers) --- History and criticism --- Literature and the war --- Motion pictures and the war --- History --- Social aspects --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- History and criticism. --- Literature and the war. --- Motion pictures and the war. --- 20th century --- Motion pictures and the conflict --- United States --- War stories [American ] --- War poetry [American ]
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American literature --- Thematology --- Vietnam --- American national characteristics --- Amerikaans volkskarakter --- Caractéristiques nationales américaines --- National characteristics [American ] --- Volkskarakter [Amerikaans ] --- Vietnam War, 1961-1975 --- National characteristics, American --- Guerre du Viêt-nam, 1961-1975 --- Influence --- Literature and the conflict --- Motion pictures and the conflict --- Littérature et guerre --- Cinéma et guerre --- Vietnamese Conflict, 1961-1975 --- -Vietnamese Conflict, 1961-1975 --- -Vietnam Conflict, 1961-1975 --- Vietnamese War, 1961-1975 --- National characteristics, American. --- Influence. --- Literature and the war. --- Motion pictures and the war. --- -Influence --- Guerre du Viêt-nam, 1961-1975 --- Caractéristiques nationales américaines --- Littérature et guerre --- Cinéma et guerre --- -American national characteristics --- Vietnam Conflict, 1961-1975 --- Vietnamese Conflict, 1961-1975, in motion pictures --- Literature and the war --- Motion pictures and the war --- United States
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Masculinity (Psychology) --- Patriarchy --- Sex role --- Vietnam War, 1961-1975 --- Masculinité (Psychologie) --- Patriarcat (Sociologie) --- Rôle selon le sexe --- Guerre du Viêt-nam, 1961-1975 --- History --- Literature and the conflict --- Motion pictures and the conflict --- Social aspects --- Histoire --- Littérature et guerre --- Cinéma et guerre --- Aspect social --- 316.37 --- -Sex role --- -Vietnamese Conflict, 1961-1975 --- -Masculinity --- -#SBIB:309H1024 --- #SBIB:316.346H00 --- Sex (Psychology) --- Men --- Vietnam Conflict, 1961-1975 --- Vietnamese Conflict, 1961-1975 --- Vietnamese War, 1961-1975 --- Gender role --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Androcracy --- Patriarchal families --- Fathers --- Families --- Male domination (Social structure) --- Patrilineal kinship --- Identiteit. Individu en maatschappij. Persoonlijkheid --- -History --- -Literature and the conflict --- -Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- Man-vrouw-studies, gender: algemeen --- 316.37 Identiteit. Individu en maatschappij. Persoonlijkheid --- Masculinity --- Masculinité (Psychologie) --- Rôle selon le sexe --- Guerre du Viêt-nam, 1961-1975 --- Littérature et guerre --- Cinéma et guerre --- #SBIB:309H1024 --- Vietnamese Conflict, 1961-1975, in motion pictures --- Literature and the war --- Motion pictures and the war --- Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- United States --- 20th century
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